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BOOST YOUR RIBBON OR DYNAMIC MICROPHONE
Philosophy Inspired by the positive results of the BigAmp we wondered if a phantom powered, high quality preamp preceding the microphone cable could improve the sound quality of a ribbon or dynamic microphone. the results were more then convincing. Enter FetHead, our newest innovation in phantom powered preamp design. While testing FetHead we noticed an overall increase of sound quality and a change of tonal character of the attached dynamic microphone towards a more open, controlled sound. Which microphones benefit In short, we noticed an improvement on all tested dynamic microphones. A Shure sm58 for instance, sounded more responsive over a broader frequency range. When mated with a high-end dynamic microphone like a Sennheiser MD441, FetHead really shines. Ribbon microphones benefit greatly too because of a much better impedance match, which lessens the load on the microphone, thus giving it better transient response characteristics. FetHeads high quality, low noise signal amplification also extends the usable range of a ribbon microphone, by making it more suitable for recording softer passages without introducing noise. Some ribbon microphones do not tolerate phantom power, FetHead's circuit uses Phantom power but shields it from its input (and the microphone's output), as a result it offers effective protection to the microphone. Low noise Fethead uses low noise jfets configured as a double class a amplifier. Jfet's are among the most quiet amplifying elements available today. The calculated noise figure of the FetHead based on the jfet's datasheet is lower than we are able to measure. In the real world the noise injected by a FetHead depends on the noise generated by the pantom power supply, if the power supply is quiet, FetHead is quiet. How it works Attach FetHead on to a balanced microphone cable and plug it in a dynamic microphone, switch on phantom power and enjoy FetHeads Natural open sound! Although we recommend BigAmp because of it's higher input impedance which favours guitars, it is also very well possible to use FetHead as a D.I. Simply mount an xlr to jack converter to the input and use it in combination with an instrument with jack output. Because of the quality of the amplifier, FetHead lowers the noise floor and improves the overall sound quality of most mixers channel strips. When combined with your favorite microphone pre FetHeads neutral clean sound extends its usable gain range, while keeping the sonic properties of your preamp intact. Features
NEW: FetHead Filter is a Fethead version with a built-in 6dB/octave high pass filter with a corner frequency of 220Hz. It is specially designed for microphones which exhibit an excessive proximity effect / low frequency response, like long motor ribbon microphones. The components which make up the filter are not directly in the signal path but are applied to the components which set the gain of FetHead Filters amplifier, thus making it frequency dependant. This way the sonic character which makes a normal FetHead attractive to the ear is preserved. FetHead Filter can be distinguished by a green dot below the TritonAudio label.  FetHead Phantom is a FetHead version which allows phantom power to reach the microphone. It was developed after several requests from different audio engineers to build a FetHead for condenser microphones with low output. We tested FetHead filter on a broad range of condenser microphones and are very happy with the results. It works well with electret microphones like the countryman or an AKG C1000. These are microphones which consume very little power, FetHead Phantom also works great on "real" condenser microphones like a U87 or even with an Oktava MK319 which consumes a hefty 8mA! FetHead Phantom can be distinguished by a red dot below the TritonAudio label. User guides: |
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